David Fynn Takes the Stage in Beetlejuice The Musical
How it unfolded
In a significant development for the West End theatre scene, David Fynn has been announced to play the title role in Beetlejuice The Musical. This highly anticipated production is set to begin performances on May 20, 2026, at the iconic Prince Edward Theatre.
The musical, which is based on the beloved 1988 film directed by Tim Burton, has garnered attention for its unique blend of humor and chaos. Fynn, an Olivier-nominated actor known for his performances in School of Rock and Much Ado About Nothing, expressed his excitement about stepping into such an iconic role. “It’s a show I’ve admired for a long time – bold, funny, and totally chaotic. Getting the chance to step into such an iconic role is both a huge honour and a slightly surreal experience,” he stated.
The production will run until April 17, 2027, allowing audiences ample opportunity to experience this theatrical spectacle. The creative team behind the musical includes a book by Scott Brown and Anthony King, with music and lyrics by Eddie Perfect. Additionally, the production will be directed by Alex Timbers, ensuring a fresh and engaging interpretation of the source material.
Fynn’s casting is part of a broader effort to bring the magic of Beetlejuice to UK audiences. The musical originally opened on Broadway in 2019 and has since captivated audiences with its vibrant storytelling and memorable characters, including the mischievous ghost Lydia Deetz.
The production is produced by Crossroads Live and Warner Bros Theatre Ventures, with casting overseen by Harry Blumenau. The creative team also includes scenic designer David Korins and costume designer William Ivey Long, both of whom are expected to contribute to the show’s visually stunning presentation.
Fynn’s enthusiasm for the role is palpable, as he aims to bring his own interpretation to the character while remaining true to what makes Beetlejuice so entertaining. He humorously added, “Plus, I do look good in stripes, and I am a little dead inside.” This playful acknowledgment of the character’s eccentricities hints at the fun and energy audiences can expect from the production.
As the opening date approaches, anticipation is building among theatre-goers eager to see how this adaptation of a cult classic will resonate with a new generation. The combination of Fynn’s talent and the creative team’s vision promises to deliver a memorable theatrical experience that honors the original film while offering something fresh and exciting.