What does the revival of David Hare’s 1973 play Teeth ‘n’ Smiles reveal about contemporary theatre? It showcases the talents of Rebecca Lucy Taylor, who plays the character Maggie, and raises questions about the relevance of older works in today’s cultural landscape. The production, directed by Daniel Raggett, is currently running at the Duke of York’s Theatre until June 6, 2026.

Teeth ‘n’ Smiles is set against the backdrop of a chaotic gig at a university ball in 1969, a time when the cultural and musical landscape was undergoing significant changes. The play features original songs by Nick and Tony Bicât, adding a modern twist to the classic narrative. Critics have given the production an average rating of 3.2 stars, indicating a mixed reception among audiences and reviewers alike.

Rebecca Lucy Taylor, also known by her stage name Self Esteem, has received notable praise for her performance. Sarah Crompton remarked, “Taylor is sensational as Maggie, full of self-loathing and fight in almost equal measure, staggering around the stage but never going down.” This highlights her ability to bring depth to a character that grapples with complex emotions.

Despite the acclaim for Taylor’s performance, some critics question the play’s relevance in 2026. Fiona Mountford stated, “Does it have anything of burning import to say to us in 2026? The awkward answer is a resounding ‘No.'” This sentiment echoes a broader debate about the revival of older works and their place in modern theatre.

Nick Curtis posed a provocative question, asking, “Why revive this dated piece about a minor-league rock band combusting at Jesus College Cambridge’s 1969 May Ball?” This reflects a critical perspective on the necessity of revisiting past narratives, especially when they may not resonate with contemporary audiences.

As the play continues its run, it remains to be seen how audiences will respond to the blend of nostalgia and modernity that Teeth ‘n’ Smiles presents. The production’s ability to attract theatre-goers, particularly those who follow the 100,000 theatremakers relying on The Stage for news and reviews, will be a crucial factor in its success.

With tickets available at a typical price reflecting a value rating of 26, the production aims to draw in a diverse audience. As the final date approaches, the question remains: will Teeth ‘n’ Smiles find a lasting place in the hearts of theatre lovers, or will it fade into the annals of theatrical history as a relic of its time? Details remain unconfirmed.

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